William Blake Richmond was a Neoclassical painter of the Victorian age in Britain who painted Hera in the House of Hephaistos around 1902
Frederic Remington paints in 1889 a protagonist of the American frontier who turns to look at us in heroic fashion on horseback.
Franz Marc infused his work with spiritual significance using colours he associated with specific attributes as can be seen in Fox from 1911.
Here American artist Fitz Henry Lane paints Boston Harbour as a naval scene of several ships in a highly realistic style.
Peter Paul Rubens paints The Three Graces who were goddesses of beauty and creativity and are often referred to and depicted in classical art.
This portrait of Dürer's Mother Barbara was painted by Albrecht Dürer around 1490 when she was about 39 years old.
Vincent van Gogh paints a peasant woman standing indoors with heavy brushstrokes that are thick and lend a weighty kind of significance
Paul-Jacques-Aimé Baudry's nude, The Pearl and the Wave is painted delicately with realism of flesh colors and line.
German Renaissance artist Albrecht Dürer paints St. Jerome in the Wilderness, 1495, emaciated in a decertified landscape holding his bible.
German Renaissance painter Lucas Cranach the Elder painted An Ill-Matched Pair around 1530.
After his marriage, Caspar David Friedrich began to include women in his work as can be seen in Woman before the Setting Sun.
Édouard Manet paints in 1877 his friend and art collector, the famous baritone Jean-Baptiste Faure as Hamlet in Verdi's operatic role.
Pierre-Auguste Renoir's Lise with Umbrella from 1867 sees his model Lise Tréhot shielding her face with a lace parasol.
Vincent Van Gogh painted portraits of the Roulin family between 1888 and 1889, and this Portrait of Armand Roulin specifically in 1888.
Paul Gauguin paints the 'Young Girl with Fan' holding her fan and dressed in white, the traditional local color of power and death.
George Bellows painted Blue Morning in 1909. It was the last of several portrayals of the Pennsylvania Railroad Station in New York City.
Painted In the Cubist style by Franz Marc, The Tiger, with its jagged shards of color help accentuate the stripes
American painter Winslow Homer's Crossing the Pasture (1871-2) depicts two small boys in a highly idealized American landscape.
George Bellows captures all the vicissitudes of the modern city of New York as people of all classes are shown going about their day.
Giovanni Battista Tiepolo has been seen as the most capable painter of the Venetian Rococo school, which is on display in Juno and Luna.